How is the newest Mission Impossible?
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"I'm too old for this." |
Could it get better again?
Rogue Nation hits the ground
running and then takes off fast — literally. A lot of buzz has surrounded the
stunt work Tom Cruise supplies for this latest outing as Ethan Hunt, and it’s
for good reason. Whether he’s hanging on to the side of an aircraft as it takes
off up to 1,000 feet or holding his breath for five minutes at a time, Cruise
isn’t just a viable action hero and box office champion: He may be one of the
best working stuntmen in movies today. The physical feats he pulls off at the
age of 53 make me feel like a lazy wanker writing for a movie blog who needs to
hit the gym. Maybe that’s because I am.
Surrounded by the usual rogue’s gallery of supporting characters who trigger those knowing smiles whenever they walk on screen, Cruise effortlessly commands our attention for the film’s duration. Simon Pegg has a lot more to do this time out, which is a welcome addition for this fifth installment. Jeremy Renner and Ving Rhames also return to supply some of the film’s best one-liners, as well as a double take during a high speed chase that’s worthy of the Marx Brothers. New to the lineup are Alec Baldwin, always dependable as the high-in-fiber version of his character from Glengarry Glen Ross; and Rebecca Ferguson, an enigmatic agent who embodies the spirit of the classic femme fatales of the '60s and the modern kick-ass women of today, all wrapped up in a beautiful redheaded package that clearly refuses to skip leg day. Seriously, she needs to get her ass bronzed.
Taking the helm this time is Christopher
McQuarrie, Academy Award-winning writer for The Usual Suspects. Fresh
off directing Cruise in the monstrously underrated Jack Reacher,
McQuarrie brings the same sure touch as he did in that film, though it’s
curiously bereft of his juicy signature dialogue. Fans of Ghost Protocol
will notice a distinct difference in focus, tone, and style this time.
McQuarrie is not looking to give us the rowdy good time and fun gadgets that
Bird did. This is a Mission: Impossible that lives on the run and in the
shadows, where the real villains are the ones who pick up phones instead of
automatic weapons. His depiction of the sinister Syndicate and the gradual
unveiling of its motives is equal parts political commentary and classic
throwback.
Surrounded by the usual rogue’s gallery of supporting characters who trigger those knowing smiles whenever they walk on screen, Cruise effortlessly commands our attention for the film’s duration. Simon Pegg has a lot more to do this time out, which is a welcome addition for this fifth installment. Jeremy Renner and Ving Rhames also return to supply some of the film’s best one-liners, as well as a double take during a high speed chase that’s worthy of the Marx Brothers. New to the lineup are Alec Baldwin, always dependable as the high-in-fiber version of his character from Glengarry Glen Ross; and Rebecca Ferguson, an enigmatic agent who embodies the spirit of the classic femme fatales of the '60s and the modern kick-ass women of today, all wrapped up in a beautiful redheaded package that clearly refuses to skip leg day. Seriously, she needs to get her ass bronzed.
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"I need you to tell me about the Star Trek script you're writing." |
So, did it get better? Not this time.
Though full of meticulously staged action, crisp and beautifully shot with a
noticeable lack of shaky-cam by the impeccably talented Robert Elswit, we do
find ourselves missing what Abrams and Bird brought to the series: Character,
heart, and humor. McQuarrie is more than capable of writing hysterically funny
and catchy dialogue, and while there are a few memorable exchanges, it was fair
to expect a lot more from the guy who created Keyser Soze. That’s not to say
it’s bad: Rogue Nation is still a cut above the usual summer action
entertainments, with enough cat-and-mouse games and double-triple crosses to
spare for a sixth run. That Tom Cruise is one crazy son of a bitch, but it
works for him.
P.S. What the hell happened to Michelle Monaghan?! She’s the most endearing character in the series and they’ve completely abandoned her! At least Ghost Protocol didn’t forget she existed. I call shenanigans.
P.S. What the hell happened to Michelle Monaghan?! She’s the most endearing character in the series and they’ve completely abandoned her! At least Ghost Protocol didn’t forget she existed. I call shenanigans.
SCORE:
- Blake O. Kleiner
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