Chris Jordan continues Doctor Who series 9 with the new two-part saga featuring the fan-favorite Zygons.
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"Nice Sixth Doctor shirt! You have even more hipster cred than I do." |
Doctor Who's
season full of grand-scale two-parters continues with what is
arguably its centerpiece story: the long-awaited return of one of its
fan-favorite alien races. The Zygons – tentacled shapeshifters
written in the paranoia-inducing tradition of The Thing and
Invasion of the Body Snatchers –
first appeared in one of the original series' most beloved story
arcs, Terror of the Zygons
starring 4th
Doctor Tom Baker. Despite immediately joining the Daleks and Cybermen
as one of The Doctor's most popular foes, they never appeared in
another episode until the 50th
anniversary special The Day of the Doctor,
and even then they were only the secondary of two parallel plot
threads. Now, after 40 years, we finally have a second purely
Zygon-focused story arc in The Zygon Invasion/Inversion;
after all this build-up, can it live up to the anticipation? While we
usually have been covering the new episodes of Doctor Who
every weekend, this time we
decided to wait and review the whole story arc together, as it is
clearly best viewed that way. The Zygon Invasion
was intriguing but flawed; clearly more first-act set-up than an
episode that could be viewed alone. But when watched as a full-length
movie with part 2, Invasion/Inversion
proves to be a solid tale with some very effective and relevant
themes that gain strength as they build.
After
a peace treaty facilitated by The Doctor on behalf of UNIT, Zygon
refugees are living alongside humans all over the world, in disguise;
immigrants on a galactic scale, who just want to be accepted into
their new homeland. Now, an extremist group has formed – a Zygon
terrorist cell who wants to break the treaty and take over the Earth
– and The Doctor must see if peace is still possible. Right from
the beginning, it is clear that this is a very different sort of tale
for the aliens: rather than Terror of the Zygons'
paranoia-fueled Invasion of the Body Snatchers
story, this uses the concept of aliens living among us to explore
very relevant social themes. This is Doctor Who as
political allegory: a story that is quite clearly about real-world
issues of xenophobia, bigotry against immigrants, and the tricky
politics of dealing with extremists in the Middle East. The parallels
make a lot of sense, and it gives the show an excellent, pretty rare
opportunity to directly apply its humanistic philosophy to a
situation more familiar than fantastical. But like everything else in
the episode, it ends up working very well, but takes some time to
gain its footing after a clumsy start.
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"We're here for the Zygons And Allies Against Donald Trump rally." |
The Zygon Invasion
wants to accomplish a lot; more than 45 minutes of TV can
realistically accomplish. It has to fill in the gaps of what the
Zygons have been up to since The Day of the Doctor two
years ago, it has to create a convincing sociopolitical climate in
which they can currently exist, it has to then disrupt that climate
in a way that believably mirrors real-world politics of social unrest
and terrorism, and it has to lay the groundwork for some plot devices
that clearly will be important later. Really, this should have been
done slowly throughout the first half of this season; built up as the
new normal of life on Earth so that normal merely had to be disrupted
at the beginning of this episode. Creating and disrupting
this new status quo all in a few minutes makes the first half of The
Zygon Invasion feel decidedly
choppy and rushed.
Since
it doesn't have the luxury of taking its time, it also tries to take
a shortcut by driving home its political allegory entirely too hard.
Writer Peter Harness should have been a lot more subtle; the theme is
pretty clear right from the start, and we would have gotten it
regardless. It shows very powerfully a situation in which immigrants
are being treated with hatred because of the actions of a small
extremist group that they have nothing to do with aside from
happening to share an ethnic background; when the script starts
screaming “JUST IN CASE YOU MISSED IT, THIS IS ACTUALLY ABOUT
CURRENT EVENTS,” it feels almost condescending, as if Harness has
zero faith in our ability to recognize subtext. It's a great message,
and one that needs to be given; using genres like sci-fi to make
viewers realize truths about their fellow humans is a powerful tool
of fiction, and one that has potential for genuine social good by
letting people see and combat unconscious bigotry. But themes like
that have much more emotional resonance if the viewer is allowed to
connect the dots on their own and make an emotional discovery; the
dots here come too pre-connected.
Fortunately,
these initial stumbles do not set the tone for the entire story arc.
All of these problems are largely relegated to the opening half of
The Zygon Invasion, as
it rushes to fit enough content to fill an entire episode. But even
then the potential of its story and themes are clear, and once the
groundwork is laid out, it catches itself and begins to move forward
much more assuredly. By the time the first episode ends, it has
overcome its initial problems and turned into quite a good story.
This allows part two, last night's The Zygon Inversion,
to start strong and only get stronger from there. It still has some
flaws, but this time they aren't flaws of theme or pacing, but just
some occasion reliance on plot devices to propel the sci-fi half of
the story. Thematically, Inversion
largely realizes its predecessor's potential, and turns the two-part
arc into quite a good one.
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"This reminds me of playing "Day of the Tentacle" back in the day..." |
As
both a sci-fi story about shapeshifters and as a human-rights
allegory about refugees and terrorists, The Zygon Inversion
works quite well. The Zygons are used to good effect on both counts,
and are transformed from the villains of Terror of the
Zygons and The Day of
the Doctor into a nicely complex
cross-section of people with a realistic mix of political good and
bad. It's always nice when an alien race is treated with as much
complexity as humans. The story also provides some good twists and
turns in both its sci-fi and political narrative departments. With
the groundwork laid out for this type of story – not alien
invasion, but human relations with aliens who are already here – I
hope we get more tales of this nature.
The Zygon Invasion/Inversion is
certainly aware that it's the first story to be exclusively about
these aliens since the Tom Baker era in the 1970s, and accordingly it
pays some nice tribute to the show's past. We get nods to that
vintage story arc's cast of characters, and some easter eggs that
classic-series fans will have a lot of fun with. But crucially, it is
not over-reliant on nostalgia or references to the past. This may be
the first major UNIT story in which Kate Stewart gets to simply be
her own hero without ever mentioning her dad, The Brigadier. This is
certainly a good thing: she has always been a strong character in her
own right, and it's great to see her moving freely outside the Brig's
shadow. Don't get me wrong, I love all the connections the modern
UNIT stories make to their classic-series counterparts (and these
episodes still have plenty), but Kate is a good enough character that
she shouldn't just be treated as “the new series' stand-in for
Brigadier Lethbridge-Stewart.” This episode also gives some great
material to another returning character, who I honestly did not think
we would ever see again... but that's all I should say on that point,
so as to avoid spoilers.
Even
with its flaws, The Zygon Invasion/The Zygon Inversion
is ultimately quite a good story arc. It reintroduced the Zygons very
strongly, and I hope we see them again, if only as part of the show's
complex universe. Even if it threatened to falter in the first half,
this two-parter continues series nine's impressive chain of strong
episodes. It's not as great as either of the previous two
two-parters, but that is less a criticism of Invasion/Inversion
and more a compliment to how great this series has been. We're over
halfway through now, and this is still shaping up to be the best year
of Doctor Who since
series five.
Score:
-
Christopher S. Jordan
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