Check out our review of the recently released, Serial Kaller.
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Did you say you don't like boobs?!!! |
Serial Kaller is a
soft porn masquerading as a slasher flick, which on its own isn’t a bad
premise, but it doesn’t do a good job at either of those things. On the faux-porn
side, the chicks are half-dressed but nobody gets naked and people have sex while still wearing clothes. Let me repeat that, there are people who act
like they are having sex even though it’s fully apparent that they didn’t take their
underwear or pants off. The film takes
place in a sex phone operation, one in which the ladies lie around on beds in
their underwear while being filmed (which doesn’t make sense since it’s phone
sex but whatever). It’s played for titillation but they don’t go all the way
with it—it just seems like pointless window dressing, or perhaps as a ruse to
distract you from how horrible the film is.
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She said she didn't like boobs, so we beat her up. |
So, on the other side of this film you have a serial killer….er
“kaller” who is murdering the poor sex phone operators. In these types of films
you better deliver the goods on the murder department since that’s the entire
appeal of the genre. All the kills are bland, boring, poorly acted and terribly
staged. The practical effects are awful and fake looking and there is no pizazz
or originality to the deaths. Seriously, this is some of the worst acting I
have ever seen and it seems like they used the first take of every scene. People literally flub lines and it’s left in
the film. Imagine the acting in every porn you have ever watched. It’s worse than that. Not to mention the
sound quality is mediocre and the musical score is too loud and overpowering. Serial Kaller barrels past “so bad it’s
good” territory right into “so bad it’s shit” and then goes past that point to
making the viewer question what they are doing with their life.
You don’t get boobs and you don’t get cool gore so there is
absolutely no reason to watch this film. Don’t waste your time.
Score
-Michelle Kisner
Score
-Michelle Kisner