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New to Blu-ray |
The first thing to address is the plot, which is a retread
or slightly similar to Man on Fire, The
Man from Nowhere, The Memory of a Killer, and Dying of the Light. Some people are going to instantly have an
issue with this. I have more of a problem with the fact that heavy editing and
narration were used to quickly gloss over and introduce the viewer to the story
and characters, combined with bizarre changes in tone. There is a mixture of
comedy and downright silliness mixed together with extremely dark and violent
sequences; it would be the equivalent of incorporating Oldboy with Seth Macfarlane’s style of humor. It may have worked in
previous Hung movies, but it just doesn’t feel right in this one.
The production values and a majority of the camera work are
outstanding. It has nice color and very skillful camera work, with multiple
sequences featuring sweeping picturesque shots over the cities and towns.
Things go downhill when it comes time for the action scenes, which mostly
involve the choice of having them done in slow motion. I can’t understand the
reasoning behind this decision, as it ruins what appears to be good fight
choreography and just leads to giving the viewer a headache. If you think that
shaky cam found footage is difficult on the eyes, then this will give you sea
sickness. On top of that is the bad
choice of showing CGI bone breaks, something that went out of date in the
mid-1990’s. The modern score may seem as weird as the tonal shifts, including
Hong Kong pop, French rap, jazz, surf, and American classic rock.
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Give me back my AARP card!!! |
Hung and Lau both give good performances, but that isn’t
enough to recommend this. Had some alterations been made to eliminate the
comedy and focus more on the thriller or dramatic elements, this could have
been on the same level as say Man on Fire.
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Score -Raul Vantassle