After a season that has raised many
tantalizing questions and been very cagey about their answers, the
two-part finale of Doctor Who season 12 began this week with
Ascension of the Cybermen. But while it provides a great,
appropriately thrilling follow-up to last week's The Haunting of
Villa Diodati, it is certainly not the first half of a finale
that this season may have lead us to expect - and that is a good
thing, at least for now. The episode packs some surprises; less in
what it reveals, and more in what it doesn't, and how it doesn't.
This whole season has been about building up mystery and adding
layers of depth to the 13th Doctor era, and this episode continues
that trend excellently. After season 11 was frequently criticized for
consisting almost exclusively of one-off threat-of-the-week episodes
at the expense of any larger story arc or mythos, season 12 has
expanded and enriched the universe in often unexpected ways. Old
heroes and villains have returned, elements of the show's canon going
back to the original series have been brought back with new twists,
and in some key ways the show's mythology has been turned on it head
- or at least the show has threatened to turn its mythology on its
head. In a typical season, one would expect the two-part season
finale to spend its entire extended runtime untangling these new
mysteries, but instead, Ascension of the Cybermen just deepens
them further.

As The Doctor and her fam follow the
Lone Cyberman into the future after the end of the previous episode,
they bring us to the aftermath of the great Cyber War: a cataclysmic
event that we have regularly heard about since the 2nd Doctor era,
but have never actually seen firsthand. The conflict with the Lone
Cyberman and his henchman than follows serves two purposes: to be a
more or less straightforward thrilling Cybermen story that fleshes
out the long-term mythology surrounding that race, and to move The
Doctor and her friends closer to an increasingly surreal and opaque
convergence of the season's other mysteries (presumably). It succeeds
on both counts. As a Cybermen story it is very good indeed, quickly
establishing the post-apocalyptic world that it inhabits, creating
stakes that feel very real, and making the often-tropey cyborg
soldiers pretty creepy and intimidating again. The Lone Cyberman
makes a very strong lead villain; one who is all the creepier because
of how totally insane, and totally not like a Cyberman, he seems. The
number one rule of the Cybermen has always been that they have no
emotions, and act on machine logic; with that rule out the window,
all bets are off, and it makes him an oddly unpredictable villain
despite being just the newest iteration of a recurring threat that
goes back to 1966.

Of course, continuing to raise
questions rather than working towards a resolution right up until the
season's final episode does raise some concerns: has season 12, like
season 6, introduced more elements than it can possibly resolve in
one more hour with any kind of satisfying results? Part of me can't
help but be nervous that next week's episode will be more rushed a
denouement than these mysteries deserve, and I can't help but fear
that only one more episode will not be enough. But on the other hand,
it is entirely possible that everything we've seen so far is about
more than just this season: that season 12 hasn't just been building
its own arc, but also working with the mythos of the show to set up
larger plot threads, and shape the Chris Chibnall era in a broader
sense. By next week at this time we will know. Hopefully one more
hour will suffice, and season 12 will end as strongly as it has built
itself. But as it slides the last of those building blocks into place
before all is revealed, Ascension of the Cybermen is a great
first half of the season finale, if an unexpected and mysetrious one.
Score:
- Christopher S. Jordan
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