To be honest, romance is not my genre. I don’t usually like sugary sweet movies that are overly sentimental. The thought of having to watch a Hallmark movie or a romantic movie on Valentine's Day makes me physically ill. And yet, I liked The Photograph way more than I thought I would
When famed photographer
Christina Eames dies unexpectedly, she leaves her estranged daughter, Mae,
hurt, angry and full of questions. When Mae finds a photograph tucked away in a
safe-deposit box, she soon finds herself delving into her mother’s early life –
an investigation that leads to an unexpected romance with a rising journalist.
The Photograph does not have that nauseatingly sugary sweet sentimentality that plagues other romance films but there is a realistic, genuine love story here that provides the film with heart and soul.
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Director Stella Meghie
does a good job of capturing the sizzling sparks
between Mae and Michael, capturing every shy glance the two share. This is a film that does a great job of using visuals and music to tell the story but the same cannot be said about the script.
While the directing is strong, the script leaves much to be desired. It's not badly written at all but
since it’s story is so laser focused on character and conflict-lite, this approach can
occasionally nip its narrative propulsion in the bud. The cross cutting between
the parallel romances of Mae & Michael and Mae’s mother & a suitor from
her youth works well but the plot can be passive which leads to lulls from time to time. With
a better script, I feel like this would’ve been great as the romance is incredibly bland and
the film resorts to too many flashbacks that seem to just pad the run time.
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The Photograph ultimately
isn’t the most lively love story around, but Rae and Stanfield’s captivating
chemistry is just enough to recommend this for a nice night out at the movies.
-Liam O'Connor