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True Crime Comedy: Money for Nothing (1993) - Reviewed
In February
1981, unemployed Philadelphian longshoreman Joey Coyle (John Cusack) found
approximately $1.2 million in the middle of the street after it had fallen off
of the back of an armored vehicle. Instead
of returning it, Joey decides to keep it before being arrested days later
trying to escape conviction at the JFK Airport.
Only a couple of years after the incident, Walt Disney Studios began
preproduction on what would become a comedy film dramatization of the events
leading up to the arrest of Joey Coyle.
Despite years of development Hell, the project was finally completed in
mid-1993.
Loosely
adapted from Mark Bowden’s 1986 Philadelphia Inquirerer article and
subsequent book Finders Keepers, Money for Nothing is the
hilarious and amazing tale of how one layman accidentally found a bag full of
money and failed to keep his thievery of it a secret. Something like a feature length episode of America’s
Dumbest Criminals and predating Michael Bay’s own ultraviolent true crime
comedy Pain and Gain, Money for Nothing is a compulsively
watchable star studded ensemble comedy about an idiot who fritters away and
blunders his fortunes before all but completely giving himself away.
Co-starring
Michael Madsen as the detective hot on Joey’s trail, Debi Mazar as his banker
girlfriend, James Gandolfini, a young Philip Seymour Hoffmann and Benicio Del
Toro as a small-time mobster, this ensemble piece directed by Ramón Menéndez (only two features to his name) is a deliriously
entertaining comedy with some startlingly strong moments from both Cusack and
Gandolfini. Cusack makes Joey Coyle an
endearing if not tragically stupid figure and while we can relate to the
everyman’s desire to win untold riches, we can’t help but laugh at his moronic
choices which led to his incarceration.
Visually the film looks splendid, shot in panoramic
widescreen by eventual Drive cinematographer Newton Thomas Sigel. Though the film included Coyle himself as a
consultant on the events of the film, much of the gory details are
fictionalized or altered in some fashion for dramatic effects. Despite contributing to the project, Coyle
felt humiliated and embarrassed and subsequently took his own life just weeks
before the film was set to release, prompting Disney to switch to a quieter
theatrical rollout than initially as planned.
In spite of these setbacks, Money for Nothing opened
to dismal reviews and underperformed at the box office. Years later, the film has garnered a small
cult status as one of America’s most fascinating and delightfully entertaining
true crime stories. Moreover, the film
asks what you would do in Joey Coyle’s shoes.
Do you keep the unclaimed millions or return it? Moreover, if you do keep it, don’t do what
this dumbass did with it.
--Andrew Kotwicki