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Second Sight Documentary Releases: Chuck Berry (2018) - Reviewed
Acclaimed
documentary filmmaker Jon Brewer has been covering musical artists from the
past since the mid-2000s when he first explored the legacy of Kurt Cobain
before moving onto Jimi Hendrix, B.B. King, Nat King Cole and most recently
David Bowie. A thorough and unbiased documentarian
who presents all the ups and downs of a professional music career with all the
good and bad on full display, it was only a matter of time before Brewer would
circle back to the man who made rock and roll music mainstream: Chuck Berry.

Much
like the recently released Belushi documentary, the film uses a mixture
of preexisting footage interspersed with newly rendered animated dramatizations
of the events of Chuck Berry’s life.
With a cavalcade of archival footage at his disposal, Brewer brings to
life the history of ostensibly the original king of rock ‘n’ roll. Highlighting his barrier breaking music, the film also presents a variety of
interviews both preexisting and newly shot for the documentary, presenting a kaleidoscopic
portrait of one of the music industry’s most legendary performers.
Part of
what makes this particular Chuck Berry documentary so definitive on the
man’s life is that it leaves nothing off the table. In other hands this would veer towards
hagiography, but Brewer presents all the highlights as well as controversies
surrounding the man’s life. You get a
full picture of the man and come away respecting his life’s work but also acknowledge
the skeletons in the man’s closet as well.
For dedicated fans of the music of Chuck Berry the film won’t
tell them anything they didn’t already know but for newcomers it proves to be a
most informative portrait.
Chuck
Berry left
behind a complicated legacy and the film doesn’t try to sugar coat his own
personal demons that perhaps were the driving force behind his music. If nothing else, that we’re given the cold
hard truth brings a greater appreciation for the work as well as the man behind
it with all the positives and negatives there plainly to be seen. At one point the film touches on Taylor
Hackford’s troubled concert documentary film Hail! Hail! Rock ‘n’ Roll
which captured both a great performance as well as a rarely seen side of the
man known as Chuck Berry. While that
film remains a monumental concert film, this new Chuck Berry offers a
fuller retrospective of his life’s work and just what made the king of rock ‘n’
roll tick.
--Andrew Kotwicki