It’s that time of year: the January dumping ground month,
where studios tend to empty out their B-movie contents laying dormant in their vaults. Movies that get shelved for years for
whatever reason or another often creep out into theatrical release in January
as a way of studios absolving themselves of the movie. Sometimes they make money but usually
not. The latest example is a curious
case of Hollywood hot potato playing further complicated by the COVID-19
pandemic, the Gerard Butler produced and starring actioner Plane.
Announced as far back as 2016 followed by Lionsgate’s
acquisition of the rights in 2019, the studio dropped the project amid the
outbreak and sold it to Solstice Studios, only to turn around in 2021 to buy
them back. Turning out to be a big
budget action film set at $50 million, the film went into production and is set
to release tomorrow. If you’ve seen one
Gerard Butler one-man-army action survival thrillers, you’ve seen them all but
in the hands of French crime film director Jean-François Richet best known for
his Mesrine series and the Mel Gibson thriller Blood Father, it winds
up being a halfway decent way to kill two hours.
Commercial air pilot Brodie Torrance (Gerard Butler) takes
off with a flight of fourteen passengers including a convicted prisoner named
Louis (Mike Coulter) when a violent thunderstorm damages the aircraft forcing
him to make an emergency crash landing on a nearby island to save the
passengers. Upon landing however he
quickly learns he’s in Jolo, an island of the Philippines ruled by dangerous
anti-government militia who quickly threaten the safety of the surviving
passengers. Cut off with no means of
contact to the outside world while a hasty rescue operation is underway, he
reluctantly enlists the help of the handcuffed Louis to try and get in contact
with the rescuers.
Penned by spy novelist Charles Cumming and screenwriter J.P.
Davis, Plane delivers exactly what you’d expect from a Gerard Butler
action-adventure survival thriller: blood, sweat and brawn. Butler is generally good in the piece,
serving up the fight sequences between himself and brutal mercenaries though he’s
arguably upstaged by the mercurial but dependable Mike Colter. Fresh off of Luke Cage, Colter brings
to the role formidability but also fierce determination and over the course of
the movie we and Butler find ourselves leaning on Colter’s character. Even if it is highly probably in another
situation the man might kill you, at this stage he’s the only one who can save
you. Also bringing an amount of pedigree
to the piece is Tony Goldwyn as the Special Forces officer leading the rescue
effort, arguably the film’s most overqualified actor.
Visually the film was somewhat hard to gauge. Shot handsomely in widescreen but at a frame
rate that felt like HFR retroactively converted back down to 24 frames per second,
opening shots have that digital smearing in camera movement usually seen in
mid-2000s Michael Mann movies. Shot by
the same man behind Rambo: Last Blood, Brendan Galvin, it looks mostly
fine if not a little rough around the edges at times given the cameras
used. Sonically Plane is loud and
bombastic with a nerve-wracking score co-written by The Hurt Locker composer
Marco Beltrami and Mesrine composer Marcus Trumpp. Though neither the visuals or the music
necessarily are breaking new ground here, they’re in service to an otherwise
solid thriller that’s better than it has any right to be given the leading man
involved.
--Andrew Kotwicki