Cinematic Releases: The Iron Claw (2023) - Reviewed

Images courtesy of A24

Ever since Hitman Hart: Wrestling with Shadows, Beyond the Mat and then Darren Aronofsky’s 2008 fictional drama The Wrestler, the sports entertainment of professional wrestling has seen a serious-minded closing in of the investigative magnifying glasses keen on conveying the human stories behind the spectacle.  And the truth about what goes on behind the scenes in the professional wresting business is often a lot harder and heavier than anything in the shows being put on display.  For every leap off the top rope, every clothesline across the ring, every fall into the hard center of the ring, audiences rarely ever see the hurt and/or anguish suffered by skilled athletic performers punishing their own bodies for their art, until now. 
 
Around 2019, the Canadian based Vice documentary television series Dark Side of the Ring took off, focusing on darker chapters of the wrestling business’ history featuring a variety of newly conducted interviews with key members involved in the saga, archival footage and Errol Morris styled re-enactments dramatizing the events being shared.  In its very first season, on May 1, 2019, the episode The Last of the Von Erichs aired chronicling the meteoric and ultimately tragic rise and fall of the Von Erich professional wrestling family dynasty.  A story not wholly unlike the Hart family involving a domineering wrestling family patriarch who steers his children into the wrestling business fostering a championship, the saga of the Von Erichs is mired in pain and sorrow and serves as a cautionary tale about how an entire family can be destroyed by what they live for.

 
Now here is writer-director Sean Durkin’s big-screen adaptation of the story of the so-called “Von Erich curse” that claimed the lives of nearly all the Von Erich wrestling brothers The Iron Claw, based on the family’s popularization of the iron claw professional wrestling hold.  An ensemble drama featuring numerous career-best performances from its central cast members with Zac Efron giving an astonishing physical and emotional performance as Kevin Von Erich alongside Jeremy Allen White, Harris Dickinson, Stanley Simons and Holt McCallany as the dominant forceful wrestling father Fritz Von Erich.  A searing ensemble drama about all the behind-the-scenes machinations that brought together (and tore apart) the Von Erich wrestling family, it is an unfathomable tragedy too bleak to possibly be fiction. 

 
Shot beautifully by Hungarian Son of Saul cinematographer Mátyás Erdély, the look of The Iron Claw while definitely informed by The Wrestler and its gritty handheld look finds more room for the spectacle of these wresting brothers working in unison before tragedy inevitably strikes.  The soundtrack by Eileen composer Richard Reed Parry is dripping with mournful weathers, serving as a harbinger of things to come as well as a buffer for when the pain becomes all too much to bear.  

Zac Efron has undergone an incredible top to bottom physical transformation with equally powerful physical acting.  Almost as powerful if not the most striking presence in the film is Holt McCallany who has always been a bit of a background character actor but here he attacks the role like a hungry wolf, giving an unforgettable performance.  And of course Jeremy Allen White gives a low key powerful performance as the troubled Kerry Von Erich who returns home to reunite with his family only to suffer some of the worst blows of any of the ill fated wrestling brothers.


Currently in theatrical release from A24 The Iron Claw, though hampered by a less than stellar impression of Ric Flair mid-movie that almost took me out of it, is unquestionably the heaviest, most devastating film of 2023 second to Jonathan Glazer’s The Zone of Interest (also coming from A24).  Bold, brutal and somehow beautiful, this ensemble wrestling drama is one of the strongest dramas of the year that sheds further light on a wider stage the damage this family did to itself in striving for expressing their performance art in front of hundreds of spectators.


Given the surviving Von Erich family members’ blessing, The Iron Claw is a captivating and ultimately very sad yet urgent warning about how an entire family of brothers can suffer unimaginable tragedy all for the course of an art form bigger than themselves.  If nothing else see it for Efron and McCallany who are spectacular in this powerful, searing drama that will leave you thinking hard about the sports entertainment business you think you know and love.

--Andrew Kotwicki