MVD Marquee Collection: Shortcut to Happiness (2007) - Reviewed

Images courtesy of MVD Marquee Collection

Stephen Vincent BenĂ©t’s 1936 short story The Devil and Daniel Webster is one of the most unique slices of American fantasy-horror fiction with elements of realism integrated into the fabric of the narrative.  The story of a New Hampshire farmer down on his luck who makes a pact with the devil to sell his soul for success for a seven-year duration only for a fictionalized version of real-life 19th century American lawyer Daniel Webster to defend the farmer’s soul in the court of law, The Devil and Daniel Webster was an award winning literary success with elements of satire, supernatural superstition and something of a contemporary fable. 
 
While a very stagey story rife with artifice and ample room for movie magic to dramatize much of the devil’s demonic trickery, only a total of two film adaptations were officially made: the celebrated phantasmagorical Oscar winning William Dieterle directed All That Money Can Buy from 1941 and in 2007 Harry Kirkpatrick’s (actually Alec Baldwin’s pseudonym) stumbling, disowned and drastically re-edited Shortcut to Happiness released on blu-ray disc for the first time through MVD’s Marquee Collection line.  A star-studded production featuring many name stars including Dan Aykroyd, Kim Cattrall, Jennifer Love Hewitt and Anthony Hopkins, the film was Baldwin’s first and last effort in the director’s chair in a film that completed shooting in 2001 only to languish in post-production for another two years before finally being picked up with the name The Devil and Daniel Webster changed to the present title in 2007. 
 
Updating the proceedings to New York involving an author named Jabez Stone (Alec Baldwin) failing to make ends meet who one night meets a sexy seductress who turns out to be The Devil (Jennifer Love Hewitt) who offers him success in exchange for his soul at the end of a seven-year period.  Quickly shooting to the top of the nationwide literary bestsellers despite being a “hack author”, his friendships with fellow alcoholic author Julius Jensen (Dan Aykroyd) and others start to erode.  While co-mingling with hotshot sex-starved book publisher Constance Hurry (Kim Cattrall), the clock continues to tick as it dawns on Jabez his newfound fame and fortune isn’t all he had hoped for and soon meets renowned orator Daniel Webster (Anthony Hopkins) in an effort to break the deal with the devil.

 
Loosely based on the original text along with elements of Archibald Macleish’s Scratch worked into the narrative, adapted by Nancy Cassaro, Pete Dexter and even Kinsey writer-director Bill Condon, Shortcut to Happiness on paper gets all the details and elements right.  However, given the film encountered so many financial hurdles on the way to the silver screen including but not limited to Yari Film Group buying and re-editing the film without Baldwin’s oversight, there’s a reason his name is not on the credits.  Despite these obvious problems, the production values for this modernized update of The Devil and Daniel Webster are nevertheless good.  With striking New York cinematography by Polish director of photography Adam Holender (Midnight Cowboy) and featuring a quirky score co-written by Hellraiser composer Christopher Young and Game of Thrones composer Ramin Djawadi, the film looks and sounds lovely, sometimes capturing the interiors of nighttime bars and book clubs with soft amber lighting.

 
Performance wise, everyone is generally good in it though Jennifer Love Hewitt’s devil is more of the Hallmark TV version of the sexy imp with a missing tail carefully framed on the wall of Daniel Webster’s office than the polite and cunning Mr. Scratch played so iconically by Oscar winning actor Walter Huston.  Alec Baldwin is okay in the lead though his take on Jabez Stone is a bit more sympathetic than James Craig’s romantically torn power mad farmer whose success quickly goes to his head.  Where it was easy for James Craig’s Jabez Stone to wane on the viewer’s sympathies, Baldwin’s interpretation is frankly too nice to the guy.  Dan Aykroyd, Kim Cattrall and Amy Poehler turn over decent comic performances in supporting roles and for what it’s worth Anthony Hopkins is a perfect match for Edward Arnold.  Save for Hewitt’s cutely naughty demoness, the casting is pitch perfect.

 
Which is a shame considering the finished product unrolling for all the production values and talent sunk into it, the end result is kind of messy.  Finished in 2006 and finally released in 2007 by the Yari Film Group in a cut director Alec Baldwin took his name off of, the film was both a critical and massive commercial flop.  Costing somewhere around $30 million to produce, the film only took in a measly $686,000 or so and critics took particular umbrage with Baldwin’s direction of the film.  At one point, supposedly even the Feds got involved when investors were being investigated for cheques bouncing.  Feeling a bit like a Lifetime Network-tinged Hallmark made-for-television movie despite having a large cast and sizable price tag attached, Shortcut to Happiness feels a bit like a shortcut to The Devil and Daniel Webster.

 
Lacking the confident direction, still wowing visual effects and formidable acting talents of the 1941 film, the film for all of its trials and tribulations and the assurance of Anthony Hopkins still feels more like a dress rehearsal than a finished product.  Whereas the William Dieterle film is directed with masterful composition, camera placement, lighting and editing, Baldwin’s handling of the cinematic medium is, well, let’s be frank, rudimentary.  Despite the gifted cinematographer, music and production values, Baldwin doesn’t seem to know a whole lot about how to make $30 million onscreen not feel like $30,000.  The money just isn’t coming on the screen and not even Hopkins’ earnest effort at doing Daniel Webster can distract from that.  Fans of The Devil and Daniel Webster or just curios keen on the presently unraveling personal and professional mess that is Alec Baldwin are inclined to give this a look but like most of the rest of us did when it came out, we better left it sitting on the DVD shelves. 

--Andrew Kotwicki