Radiance Films: Slap the Monster on Page One (1972) - Reviewed

Images courtesy of Radiance Films

Fists in the Pocket and China is Near writer-director-actor Marco Bellocchio was only three films into his career by the time he arrived upon his scathingly satirical political drama film Slap the Monster on Page One being released for the first time worldwide on blu-ray in a new 4K restoration from Radiance Films.  Initially started by recurring Sergio Leone collaborator Sergio Donati as a spaghetti western before Bellocchio and film critic turned co-screenwriter Goffredo Fofi reshaped it into a political thriller and brought recurring Pasolini and Bertolucci collaborator Laura Betti into the fray.  The finished film, though the work of an avowed maoist Italian Communist Party member, represents perhaps the most sardonic quasi-Eurocrime Years of Lead film since No, the Case is Happily Resolved.

 
Leading up to a general election involving a conservative candidate, a right wing Italian newspaper dubbed The Journal catering to conservative readership spearheaded by chief-editor Bizanti (Face to Face actor Gian Maria Volonté) seizes on the opportunity to further propagandize his desired runner when a young girl is raped and murdered and his paper falsely accuses a young left-wing college student protestor who once firebombed Bizanti's office of the crime, vying for the death penalty.  Going as far as trying to seduce if not corner witnesses including the spiteful jilted lover Rita Zigai (Laura Betti) while answering to higher powers such as Montelli (John Steiner), the case seems to close around the college youth even as the real murderer seems to crop up only to be cloaked by Bizanti to further his paper’s cause. 

 
A scathing portrait of mass media manipulation with, in one scene, suggestions society itself doesn’t involve free will but merely playing your part to a greater cause, Slap the Monster on Page One is plainly masterful.  With its arresting cinematography of Gangs of New York production designer Dante Ferretti’s sets by Deep Red’s Luigi Kuveiller and The Cat o’ Nine Tails’ Erico Menczer and a chilling score by Life is Beautiful composer Nicolas Piovani is a singularly activist political drama.  Full of disdain for the icy heartless self-serving mechanics of the mass media machine and contempt for the lengths with which key players in it will goal to be beholden to an empire, it represents one of many Italian dramas responding to the tumultuous political upheaval facing the country in the early 1970s.  Special attention goes to the leading performance by Gian Maria Volonté who makes Bizanti into a cold-blooded reptile who hates his own wife and child yet will do anything to maintain his position of power.  Also of note is Laura Betti who herself was going through a difficult breakup and channeled much of her real anger and heartbreak into the role.

 
Startlingly relevant even now despite being separated by country, culture and decades, the new Radiance Films 4K restored blu-ray premiere of Marco Bellocchio’s timeless masterpiece reflecting the social mood of the time has lost none of its punch or dark irony to age.  Featuring an archival interview with Bellocchio who himself appears briefly onscreen in a blink-and-you’ll-miss-it cameo as well as a collectible booklet featuring new original essay work by Wesley Sharer and reversible sleeve-art with the obi spine, Radiance Films delivers another home run in their curation of key overlooked Italian or otherwise foreign masterworks crying for rediscovery in the West.  Taut and tight, from the past yet of the present, Marco Bellocchio’s Slap the Monster on Page One is another home run for the boutique label which is quietly positioning itself among the very top in the marketplace.

--Andrew Kotwicki