Eureka Entertainment: Horrible History - Four Historical Epics by Chang Cheh (1972 - 1976) - Reviewed
Chinese producer-writer-director-songwriter Chang Cheh is
widely considered to be the titular Godfather of Shaw Brothers Studio, particularly
the wuxia and kung fu subgenres. Having
directed more than 90 films in Greater China between the 1960s and 1980s, the
maestro behind One-Armed Swordsman, Five Venoms, and Chinatown
Kid worked across a broad spectrum of spectacle driven melodramas for Shaw
Scope. One which sort of gets overlooked
until now, thanks to a 2-disc set of films curated by Eureka Entertainment, is
the historical costumed wartime epic drawing real Chinese Horrible History
over the course of four films ranging between 1972 and 1976. Digitally restored by Celestial Pictures and
packaged together in a limited to 2,000 copies Gokaiju slipcover, the quartet
of films all directed by Cheh range from medieval China all the way up through
into the Korean War and give viewers an unlikely snapshot of Shaw Brothers fare
as somewhat revisionist historical action-fighter entertainment.
As with Arrow Video and other boutique labels in the past,
the arrangement of films is out of chronological order instead following a
thematic and historical progression towards modernity. In the first 1975 film Marco Polo (also
known as The Four Assassins), the titular Venetian explorer played by
Richard Harrison (a mainstay in exploitation films) finds himself fraught
between warfare involving the Mongol Empire and Chinese Rebels in the 13th
century, bearing witness to a number of atrocities before kung fu battles point
him towards the right direction. It
doesn’t have much to do with anything actually Marco Polo related and he’s a
background observer in all of this rather than an actively involved character. Mostly the film is a means to capture
newcomer Alexander Sheng Fu at the height of his martial arts wizardry who
pulls off more than a few wild and outlandish physical feats in his one-man-armada.
Jumping back two years with 1973’s The Pirate, the timeframe
of the second installment of Horrible History leaps into the 19th
century involving real life pirate Cheung Po Tsai (Ti Lung) who is evading
Imperial Court agents while getting caught up in the woes of poor residents of
a coastal village. Replete with boat
warfare including cannons, pirates and swordplay, it feels dangerously close to
becoming a swashbuckler though Cheh’s level of violence and gore keeps it from
becoming family friendly. An unlikely
offering which reunites Ti Lung with David Chiang as General Wu Yee filled with
numerous stunt set pieces and special effects, it runs counter the usual clean
and dry fistfight aiming for vast vistas of combat on an ocean beachside. It’s a fun riff on a very real dark period of
history with kindred heroic observer elements that would invariably show up
later in Marco Polo.
Jumping ahead to 1976s Boxer Rebellion which dramatizes the 1900 anti-foreign, anti-imperialist, anti-Christian uprising in China near the end of the Qing dynasty conducted by the Society of Righteous and Harmonious Fists before being defeated by the Eight-Nation Alliance of foreign powers, we find ourselves with one of the longest and most sprawling wartime epics in the Shaw Brothers library. Spanning two-and-a-half hours, far exceeding the usual running time for a Shaw Scope and filled with vast images of battalions charging and firing cannons at one another, the story itself has been dramatized many times over the years from several Chinese films to the 1963 American 70mm epic 55 Days at Peking. Clearly a story too expansive for one film to contain it, Boxer Rebellion represents Shaw Brothers and director Chang Cheh perhaps at their most technically ambitious period.
As a newcomer having waded through more than
his share of Shaw Brothers epics, Horrible History was a bit of a breath
of fresh air. While jumping about
chronologically in terms of when the films were made, historically they follow
a natural progression and all offer intriguing notions of revisionist
historical fiction. Offering four sides
of history rarely seen within the Shaw Brothers universe, all the movies display
from top to bottom the many filmmaking and directing talents of Chang Cheh who
more than rightly deserves the moniker of the Godfather of Shaw Scope.
--Andrew Kotwicki