Eureka Entertainment: The Magnificent Chang Cheh (1966 - 1977) - Reviewed

Images courtesy of Eureka Entertainment

With the ongoing proliferation of Shaw Brothers and Golden Harvest titles making their stateside debuts on Blu-Ray disc or 4K UHD through boutique labels like Arrow Video, Shout Factory and 88 Films, British based label Eureka Entertainment have taken a special particular liking to the works of Chang Cheh.  With their recent releases of the Horrible History quartet of films and the double-feature The Daredevils and Ode to Gallantry, Eureka saw fit to do up another devotion to the prolific Hong Kong based martial arts genre director with The Magnificent Chang Cheh.  Comprised of 1966’s The Magnificent Trio, a straight-laced serious wuxia, and then a tonal shift with 1977’s Magnificent Wanderers, this pairing by Eureka Entertainment represents the range of its writer-director and the ability to do two completely opposite period genre pieces across the spectrum. 
 
Despite being nearly ten years apart, the first film The Magnificent Trio features an early turn by Chang’s own leading man Jimmy Wang Yu from the eventual The One-Armed Swordsman and speaks to a serious-minded martial arts saga steeped in historical context.  When swordsman Lu Fang (Wang Yu) returns from battle, he discovers a group of oppressed farmers who have kidnapped the local magistrate’s daughter held for ransom.  At first it seems cut and dried until Fang’s sympathies start to lie with the farmers and soon two other warriors including Huang Liang (Cheng Lui) join Lu Fang in battle.  Amidst battle, the local magistrate holds in his possession a petition for the townspeople he intends to destroy, prompting both the magistrate’s daughter and a farmer on the other side to rescue the petition.  To try and quell bloodshed and spare the farmers, Lu Fang offers himself up for arrest, a move that soon sparks fierce battles between the double-crossing magistrate and the titular Magnificent Trio.

 
While The Magnificent Trio was a dramatic and intense wuxia with many deaths involved, some more brutal and ferocious than others, Chang Cheh wasn’t purely interested in doing serious fare and in 1977 amid his prolific output he fashioned the goofy and screwball kung-fu comedy ensemble Magnificent Wanderers.  Carefree in contrast to the tight plotting of The Magnificent Trio, this ensemble romp stars Sheng Fu, Chi Luan-chun, Li Yi-min, David Chiang and even Phillip Kwok.  The broadly appealing story of a group of nomads wanting to join the Chinese patriots fending off Mongol armies, Magnificent Wanderers makes even more liberal use of the martial arts choreography and astonishing physical feats.  While playful and silly, the action fighting sequences are as striking and visually arresting as anything in director Chang Cheh’s filmography.

 
Both movies being ten years apart found themselves with differing cinematographers with Wong Wing-lung handling the scope 2.35:1 camerawork of The Magnificent Trio while Kung Mu-to took on the scope vistas of Magnificent Wanderers.  In most if not all of Chang Cheh’s works, he loves the use of the fast zoom in and out for tightly packed action sequences and that aesthete is maintained across cameramen.  As always, there is some use of library music or cribbing but for the most part Wang Fu-ling provides a serviceably rousing score for The Magnificent Trio while Frankie Chan Fan-kei’s playful score for Magnificent Wanderers lets the viewer know they can let their guard down and not worry too much about the fates of the characters here. 

 
Jimmy Wang Yu in the role of Fang Lu in The Magnificent Trio serves as something of a precursor to the later more popular collaborations Wang Yu would make with Chang Cheh.  The ensemble cast including but not limited to Lei Cheng and Lo Lieh give strong supporting roles and intense physical performances of hand-to-hand combat.  In the case of Magnificent Wanderers, also a wartime film that has it’s tongue firmly planted in cheek, no single character takes center stage, forming a broad ensemble of characters all fighting for a kindred cause.  Save for one or two scenes, Magnificent Wanderers is considerably less violent or dark as its predecessor from a decade prior. 

 
Released with both films housed on one blu-ray disc from Eureka Entertainment and featuring a limited O-card slipcover with newly rendered artwork by Gregory Sacre, a collectible booklet and newly recorded audio commentaries by film experts Frank Djeng and Michael Worth, the boutique label has done it again in terms of curating and publishing two disparate yet comparable Shaw Brothers titles from the one and only Chang Cheh.  Both transfers from Celestial Pictures look beautiful and fans keen on the subgenres and one of its most prolific purveyors will find much to enjoy here with The Magnificent Chang Cheh.  Able to do serious and silly in one breath without missing a beat or blinking an eye, Chang Cheh’s output of films for the Shaw Scope empire remain as fresh, entertaining and thrilling now as they did when they first appeared.

--Andrew Kotwicki