Cinematic Releases: Him (2025) - Reviewed

Images courtesy of Universal Pictures

Ever since the beloved and still hilarious In Living Color comedian Marlon Wayans and star of parody films like Don’t Be a Menace to South Central While Drinking Your Juice in the Hood and the first two Scary Movie took on the unlikely dramatic turn of a scrappy street rat in Darren Aronofsky’s completely horrifying Requiem for a Dream, he’s become one of my favorite character actors.  Appearing over the years in other such renowned critical fare as Sofia Coppola’s On the Rocks as well as the Aretha Franklin biopic Respect while still doing his parody film with a sixth Scary Movie iteration planned, he’s a multifaceted talent who can lean into any role’s demands. 
 
When I heard Wayans, clearly no stranger to horror, was attached to the psychedelic black football sports horror film Him from Jordan Peele’s Monkeypaw Productions and saw the actor in a terrifying teaser trailer of him Whiplash-ing a young fresh blood into fiercely carved out physical shape, naturally I got excited.  After viewing the film, I can confirm Marlon is the best thing about it while Tyriq Withers as the football trainee protagonist in what shapes up to be a David vs. Goliath horror tale with more-than-overt Get Out leanings and tropes nearly deep-sixes it all by himself.  Really, we haven’t had a stiff bad leading man of his kind since first seeing Karl Glusman in Gaspar Noe’s erotic 3D drama Love.  A shame because he undoes the great pathway to Hell’s heart laid out by Wayans and Peele in this.
 
Years after witnessing his childhood football hero Isaiah White (Marlon Wayans) suffer a debilitating and horrific career-ending open fracture, rising football star Cam (Tyriq Withers, himself a former wide receiver on the Florida State Seminoles) sees history repeating itself when he is ambushed by a cloaked figure and left with a life-threatening head-injury.  Determined to stay afloat after dropping out of training for the league combine, his agent Tom (Tim Heidecker from Tim and Eric) points him towards an offer from his hero Isaiah to train with him for a week at an elite yet remote desert fitness center and fortress with the hopes of succeeding Isaiah’s throne.  

He reluctantly accepts and at first is starstruck upon meeting Isaiah but soon finds himself undergoing a bizarre and increasingly violent series of training exercises including using a jugs machine in ways not meant for the human body compounded with bullish headbutting.  Things get weirder when Cam discovers he’s being injected with Isaiah’s blood which supposedly contains superhuman qualities and engenders a swath of freakish hallucinations in the trainee.  Its only a matter of time before Isaiah’s wife Elsie (Julia Fox) begins eerily seducing our hero followed by a confession at gunpoint from Isaiah which feels less like jealousy and more like a carefully co-opted test. 

 
In what feels like a feature-length rendering of Panos Cosmatos’ Netflix short horror film The Viewing replete with a remote fortress housing a mercurial king who operates by his own law and order, Him is a very strong film upended by a weak and stiff protagonist with a cliched crowd-pleasingly over-the-top finale that goes off like a misfire rather than a bang.  A unintentional strange bedfellow of sorts to The Weeknd’s film Hurry Up Tomorrow in terms of having a hot potato of a lead not really ready to go before movie cameras in service to a surreal meditation on celebrity, Him for all of its lush scope cinematography by Kira Kelly and bombastic tomandandy-sounding score by Bobby Krilic gets lost in itself and doesn’t go much of anywhere we haven’t seen before done better.

  
Marlon Wayans is terrific in the film, it goes without saying, but he’s stuck trying to prop up a film and particularly a leading actor beneath him and the film implodes and undoes much of Wayans’ gradual transformation into a pretty ferocious beast.  Tyriq Withers meets the physical demands of the role having had experience in the football world himself but he’s got a long way to go in the art of emoting for the camera.

 
Released theatrically in late September followed by an early October streaming release, the $27 million film is just now breaking into the $26 million mark.  Maybe it’ll rise up into being profitable, particularly in the Halloween horror month of October, but critically speaking it rightfully earns its place as the worst reviewed Monkeypaw Production yet.  Really a shame because again I was sincerely looking forward to Wayans taking on the Jordan Peele horror-verse and with the anniversary of Requiem for a Dream slated for a Lionsgate Limited rerelease, Him should’ve absolutely been a slam dunk of a horror film.  
Instead it tends to slip and slide across the ice in a way that feels contrived and anticlimactic.  


The sports world is a great hotspot for horror both bodily and psychologically and hopefully this film will not be the nail in the coffin for more scary explorations of the ills and endurances of physical training.  It’s a great loaded gun of an idea that never really goes off.  In this instance, count the Monkeypaw team down but never out!

--Andrew Kotwicki