MVD Rewind Collection: Best Christmas Movies Ever! (2025) - Reviewed

Images courtesy of MVD Rewind Collection

When I first heard about the documentary clips compilation film Best Christmas Movies Ever! from none other than 1982: Greatest Geek Year Ever! writer-director Mark A. Altman, admittedly my heart sank a little.  Initially presented online as an extended tribute to all things 1982 culturally related, originally aired on The CW in four episodes before being fused together into a bloated 165-minute epic that overstays its welcome and tires the viewer out, it took all the supposed fun out of the year it was so celebratory of.  

Now a couple of years later, Altman is back with more or less the same sort of smorgasbord all-over-the-place documentary format including various interviews with a number of notable celebrities including wrestler Mick Foley, National Lampoon’s Christmas Vacation director Jeremiah S. Chechik, actors Kurt Fuller and Chris Sarandon.  Thankfully, however, Altman seems to have listened to his critics and brought in his latest meditation on pop cultural highlights in cinema just under the 100 minute mark, making for a brisk and entertaining promenade through an entire century of Holiday favorites including but not limited to debating whether or not some titles necessarily qualify as ‘Christmas movies’.  Whereas 1982: Greatest Geek Year Ever! grew tiresome after awhile, Best Christmas Movies Ever! is positioned just right with all the extra filler wisely left in the bonus features section.
 
A heartwarming discourse on the history of the Christmas movie, what qualifies the Christmas movie, going over Christmas television films including the Rankin Bass materials like Rudolph the Red Nosed Reindeer, touching on How the Grinch Stole Christmas, the numerous A Christmas Carol adaptations over the century and much more.  Divided into subsections including addressing the first time Santa Claus appeared on film in the early 1900s to the controversies surrounding the Silent Night Deadly Night films, touching on the lore and appeal of The Nightmare Before Christmas and how many of the Christmas movies initially didn’t catch on but over years of television replays developed powerful followings.  


A cozy, comforting preamble to December with emphasis on some films being watchable anytime of the year while pointing to the strange release pattern of notable Christmas movies over the years such as Miracle on 34th Street which was released in the summer originally, it doesn’t cover everything but just enough to endear itself into your Christmas repertoire.  As retired wrestler (my favorite) Mick Foley says early on, Christmas isn’t for children so much as it is for adults who want to feel like children.

 
One area the film touches on in addition to the ensemble underrated Christmas comedy is the notion of the Christmas drama.  Briefly digging deep into It’s a Wonderful Life, a film I’ve come to see as second to Lindsay Anderson’s O Lucky Man! a paean to hopeless optimism or finding idealism in the face of failure.  Both Frank Capra and Jimmy Stewart had just finished serving in the Second World War with It’s a Wonderful Life being the actor’s first one since getting back and the weathers of PTSD show heavily in the actor’s performance.  


Also a film about self-sacrifice and the triumph of people coming together in unison to help each other through difficult times, it could be the most life-affirming film ever made about accepting the limitations of one’s life versus their personal goals and aspirations.  Sure some of the documentary veers over into debating whether or not Die Hard, Eyes Wide Shut or other films qualify as Christmas including the notion of Christmas horror or Bad Santa, but as a longtime viewer of It’s a Wonderful Life I came away from this with a newly refreshed angle on Capra’s timeless masterpiece.

 
Included with the blu-ray package from MVD Rewind Collection is an interior sleeve design, slipcover and mini-poster in the time-honored tradition of the Rewind Collection.  Among the extras included are extended interviews in the deleted scenes section, a live q&a with Mark A. Altman at GalaxyCon and a running audio commentary with Altman and his coproducer Scott Mantz.  While probably not necessarily the definitive documentary or most organized documentary on the annals and history of Christmas movies, its heart is in the right place and it didn’t overstay its welcome as a film respectful of people’s time.  Anyone who is into Christmas movies will delight in this release and perhaps have some things put onto their radars they didn’t think of previously.  People with their Christmas movie watchlists will find them expanded upon after enjoying this splendid little documentary film. 

--Andrew Kotwicki