Cleopatra Entertainment: Vampire Zombies...From Space! (2024) - Reviewed

Images courtesy of Cleopatra Entertainment

Jack of all trades writer-director-producer-editor-composer-cinematographer Michael Stasko of Things to Do and The Bird Men has been around since the early 2000s and yet only really seems to be making his biggest mark now with Cleopatra Entertainment’s release of the playfully silly sci-fi faux-1950s romp Vampire Zombies…From Space!  Ordinarily whenever the moniker Cleopatra Entertainment comes up I get a little worried and seeing the cover art for this one which also included cameo appearances by Judith O’Dea from the original Night of the Living Dead and Troma president Lloyd Kaufman as the aptly named ‘the masturbator’ didn’t ease my concerns.  Thankfully however once diving into this black-and-white period piece filled with intentional nods to Ed Wood, Jr. and particularly Plan 9 from Outer Space, the finished product is something like Destroy All Humans by way of Hundreds of Beavers.  For essentially being a no-budget green-screener with intentionally hokey-looking visual effects including bats and spaceships with monofilament wires suspending them, this proved to be way more fun than it had any right to be!

 
In 1947, a young girl named Mary witnesses her mother’s over-the-top gory death which also proves to be where Dracula (Craig Gloster) has reemerged to claim her life.  A decade later, now an adult Mary (Jessica Antovski) is still haunted by images from the night of her mom’s murder and soon after strange things begin afflicting her town including but not limited to her parents vanishing and more characters turning up dead.  Meanwhile transfer Detective Wallace (Rashaun Baldeo) and his drunken hard nosed boss Chief Clarke (Andrew Bee) start picking up clues in the area pointing towards something as outlandish as an army of vampire bat aliens from outer space coming to Earth to unleash an armada of zombified humans to take over the world.  Yeah, it plays on the idea of this plotline being ridiculous and met with skepticism.  Only a chain-smoking greaser named Wayne (Oliver Georgiou) seems to know how to fight back these undead monsters.  Meanwhile Dracula conducts a space meeting with fellow comrades Vampira (Judith O’Dea), Nosferatu (David Liebe Hart) and even Francis Ford Coppola’s Dracula (Martin Ouellette).  From here, it is an effects heavy green screen romp that should wear out its welcome early on but winds up getting better by the minute.

 
Spoken of the same breath as The Lost Skeleton of Cadavra with emphasis on the black-and-white regional B-movie that tossed in everything but the kitchen sink while riffing on 1950s tropes and cliches right down to the greaser and the flask guzzling cop, Vampire Zombies…From Space! is a microbudget beer-and-pizza flick with a difference.  Tapping into cornball 50s fears and hokum while also playing on The War of the Worlds and The Day the Earth Stood Still, it’s a lofi charmer that shouldn’t work nearly as well as it does.  With good lighting and cinematography, generally good ensemble performances including the aforementioned cameos from regional horror icons and tons of pretty well rendered green screen effects, Vampire Zombies…From Space! neither loses its momentum nor wears out its welcome particularly near the grand guignol finale reminiscent of the pandemonium unleashed in Chuck Russell’s remake of The Blob.

 
An inspired little number and easily my favorite title to come out of the Cleopatra Entertainment machine of the year, Vampire Zombies…From Space! should collapse under its own weight as canned digital camp, but somehow it winds up working anyway and then some.  One of a handful of Cleopatra Entertainment titles I can see myself revisiting more often than not over the years, particularly at parties with friends, this love letter to 1950s science fiction both good and wonderfully bad is almost celebratory in its adoration for the lore, camp and charm generated by the subgenre.  While yes a spoof of B-movies which have their own regional virtues and surprises ahead, as an homage this was a solid one and out of a handful of Cleopatra Entertainment titles I feel comfortable sharing with family and friends.  Whatever Stasko is up to next, he seems to have found his niche here with this tongue-in-cheek homage to 1950s space horror flicks.

--Andrew Kotwicki