MVD Visual: Born Innocent: The Redd Kross Story (2024) - Reviewed

Images courtesy of MVD Visual

The American punk rock group Redd Kross deriving their name from the most infamous scene from the film The Exorcist first emerged in 1978 amid the rise of the hardcore punk scene chronicled in Penelope Spheeris’ The Decline of Western Civilization.  Founded by brothers Jeff and Steve McDonald as Red Cross, performing at the ages of 11 and 14 respectively, the group was notable for opening for punk rock group Black Flag and featuring future Circle Jerks guitarist Greg Hetson and John Stielow on drums.  

Following the release of their debut album Born Innocent, the group was threatened with legal action over the name by the International Red Cross and promptly changed it to Redd Kross before going on to make eight more albums over the next fifty years.  Though the band itself featured a constant changeover of musicians transitioning in and out of the group, its primary founders Jeff and Steve McDonald remained together through all these years and continue to record and release music.
 
Enter Friends television writer turned first-time documentary filmmaker Andrew Reich, an avowed longtime superfan who grew up with the band when he was attending live hardcore punk rock shows as a kid.  Someone who absorbed their music from top to bottom up through the 1990s when he finally got to see them perform live, Reich considered Redd Kross to be among the most important bands to emerge from Los Angeles albeit being overshadowed by The Beach Boys.  


Sometime around 2015, Reich overheard a podcast on Damian Abraham’s Turned Out a Punk podcast where he recounted a story where an older woman, a mainstay at punk rock shows, abducted Steve McDonald in an underage sexual relationship when he was only 13.  Disappearing from home for three months following a private investigation which tracked them down and ended the relationship, the story was enough to prompt Reich to try and make a documentary film on the subject.  After more than ten years of research, meeting up with band founders themselves and earning their blessing, Born Innocent: The Redd Kross Story moved forward.

 
Known as the first band from the hardcore punk rock scene to grow out their hair long with much of their music making pop cultural references to Linda Blair, Beyond the Valley of the Dolls and even breakfast cereals, Redd Kross also ran counter to stereotypical fashion choices of the movement such as wearing glam outfits onstage against the backdrop of leather jacket and jean legged fans.  Eventually making their way into the pop music scene, their paths crossed with Sofia Coppola (whom Steve McDonald was dating) on the album cover for Third Eye leading to a meeting with father Francis Ford Coppola on his estate and starring in screenwriter Roman Coppola’s film The Spirit of ’76 by Lucas Reiner alongside Devo, Redd Kross paths eventually landed them with bands like Soundgarden.  


Much like the band White Flag, brilliantly chronicled in the documentary The Secret Lives of Bill Bartell, the group had its genesis in the hardcore punk rock scene but evolved into something far different from its roots.  A crowdfunded labor of love co-produced by Reich and featuring crisp digital cinematography by Steve Appleford with archival footage integrated together by Erin Elders, Born Innocent: The Redd Kross Story is most certainly the definitive screen account of the band and indelible contribution to the reemerging discourse surrounding the late 1970s/early 1980s hardcore punk rock scene. 

 
Though made in 2024, the documentary film makes its’ long-awaited Blu-ray disc debut in a fairly stacked special edition.  Featuring 5.1 surround sound and an audio commentary with Jeff and Steve McDonald mediated by director Andrew Reich, the disc comes with lots of featurettes chronicling many of their live performances from 1979, 1982 and 2015.  Also included are featurettes on the films Desperate Teenage Lovedolls and Lovedolls Superstar, two important underground cult classics capturing the punk rock scene at its height.  
And according to the back of the slipcover, there’s more than can be listed.  Inside the case itself are several pictures of the band and a booklet of liner notes featuring a detailed director’s statement printed on double sided paper.  Fans and newcomers will be delighted with this two-disc special-edition release, jam packed with plentiful bonus contents sure to keen studious music aficionados busy for quite some time.

--Andrew Kotwicki