Visual Vengeance: Bloody Muscle Body Builder in Hell (1995) - Reviewed

Images courtesy of Visual Vengeance

While Sam Raimi’s 1981 indie horror sensation turned multimillion dollar franchise The Evil Dead was always a favorite among horror fans, for years the only way you could get it in digital form on laserdisc was through a Japanese import.  Now long since then, the film was rereleased in America on tape, laserdisc and eventually DVD, Blu-ray and now 4K UHD but at the height of the film’s popularity in Japan it was inevitable someone somewhere in the country would respond to it with their own spin on the material.  

Enter writer-director-star Shinichi Fukazawa and his 1995 shot-on-video cult favorite Bloody Muscle Body Builder in Hell otherwise known to fans as The Japanese Evil Dead in this years-in-the-making student labor-of-love as a little engine that could.  Though it has the vibe of a regional homegrown project, much like the original The Evil Dead itself did, for years it was hard to see outside of its country of origin without turning to serious bootlegging circles.  Now thanks to Wild Eye Releasing and their boutique label Visual Vengeance dedicated to all things lo-fi, microbudget and videotape related, Bloody Muscle Body Builder in Hell makes its North American debut for the very first time.
 
Featuring a shoestring cast of five actors with leading producer-director-editor-star Shinichi Fukazawa at the epicenter, Bloody Muscle Body Builder in Hell focuses on Shinji (Fukazawa) a musclebound bodybuilder who reluctantly agrees to help his ex-girlfriend photojournalist investigate a haunted house.  Once inside, navigating the household and meeting all of the visual story beats of Sam Raimi’s film right down to the basement setting and a demonic entity lurking about, they’re attacked by some sort of demonic entity intent on possessing and killing their friends.  


From here, the hour-long short feature film more or less channels many of the key images and set ups from Sami Rami’s film including but not limited to severed body parts twitching on the floor, eyes being poked out and lots of blood and gore.  Reportedly filming began in 1995 but the house which belong to the director’s parents suffered an insect infestation and shooting was delayed for several years before resuming with reshoots in 2009 before finally seeing completion in 2010.
 
Initially released on DVD-R in 2012 before receiving a full-blown theatrical and official DVD run in Japan two years later, Bloody Muscle Body Builder in Hell first saw an international home video release in 2017 by Terra Cotta distribution for British customers.  It wasn’t until 2022 that the boutique label Visual Vengeance picked it up and distributed it in a new deluxe Blu-ray special edition set.  


Featuring the film transferred uncompressed from the original SD tape master, the film comes with plentiful extras including a mini poster, reversible sleeve art and behind-the-scenes photos and Japanese trailers.  While not quite in the same league as, say, Shinya Tsukamoto who didn’t respond to Raimi so much as he ran circles around him, Shinichi Fukazawa’s film’s heart is in the right place and for being made as a hobby effort with next to no money and decade spanning production delays, Bloody Muscle Body Builder in Hell does a great deal with very little resources.

 
Fans of The Evil Dead, Japanese video horror, the shot-on-video standard definition tape feature and regional filmmaking are in for a real treat with this one, a bona-fide love letter to the 1981 film that absolutely excels as a no-budget endeavor.  Though short, for being ostensibly a clone it moves at just the right pace and covers a lot of territory in a brief amount of time.  Again, while conceptually and artistically it doesn’t come nearly as close to Raimi’s film as arguably Tetsuo: The Iron Man does, Bloody Muscle Body Builder in Hell is a wonderful acquisition for the boutique label Visual Vengeance.  


Not really qualifying as V-cinema, not really a professional independent film shoot, the homegrown charms of it are undeniable and infectious and represent a curious quasi-underground movement emerging in Japan between the late 1990s and early 2010s.  Hard not to have tons of gory lo-fi horror fun with!

--Andrew Kotwicki