Toy Robot Video: Ninja Wars (1982) - Reviewed

Images courtesy of Toy Robot Video

Toy Robot Video, that new subsidiary of Arrow Video following in the footsteps of Radiance Films with their OBI spines and oscillation between Blu-ray and 4K-disc format releases, picked up where Arrow’s disc of Shogun’s Ninja left off with their disc for Roaring Fire.  Both from director Norifumi Suzuki and prominently featuring a young Hiroyuki Sanada alongside Sonny Chiba in a series of offbeat action-comedies, they tapped into a screen pairing in which Chiba was able to sort of mentor Sanada towards his own ascension to the hall of fame of great contemporary Japanese actors.  Continuing in the trend of Arrow Video and Toy Robot Video’s plans to release all the Chiba/Sanada pairings is the 1982 Tokusatsu driven supernatural jidaigeki actioner Ninja Wars while reverting duties to G.I. Samurai director Kōsei Saitō.  While admittedly a bit darker than the prior Chiba/Sanada offerings, Toy Robot’s new digitally restored rerelease nevertheless is an integral package for fans of edgier adult oriented fantasy horror.

 
A wandering ninja named Jotaro (Hiroyuki Sanada) is thrust into a battle between rival clans in feudal Japan involving a sinister plot by Danjo Matsunaga (Akira Nakao) to win the heart of Lady Ukyo (Noriko Watanabe in one of three roles) through dark magic rituals and thus gain rulership of the world.  The problem is they need a virgin’s tears for it to work, so they kidnap Jotaro’s lover Kagaribi (Watanabe again) who also happens to be Ukyo’s biological sister for a head-swapping supernatural magic trick that change’s Ukyo’s head with Kagaribi’s body.  Following a brief but still shocking sexual assault, the tears are collected and the next step is taken to garner supernatural abilities.  It doesn’t take long for Jotaro to catch up with Kagaribi’s abductors and begin plotting his revenge with the help of another mysterious woman (Watanabe once again) and world famous and feared samurai Yagyū Shinzaemon (Sonny Chiba) to take on metaphysical superhuman forces all tying to the nefarious magician Kashin (Mikio Narita).

 
Produced by Haruki Kadokawa just a couple of years after financing Virus (the most expensive Japanese film at the time) and based on the novel by Futaro Yamada, it represents a violent, gory body-count heavy mixture of medieval warfare and fantasy horror with a rock-infused score by Toshiaki Yokota.  Thrilling and fun but with the dark violent edge of a comic book for adult readership with less of the humor of Shogun’s Ninja or Roaring Fire and more of a fiery, somewhat bleaker outlook, it utilizes a wide range of effects including some water tank rendered shots of unnatural cloud formations.  Monofilament wires come heavily into play for flying effects while pyrotechnics come almost as dangerously close to burning its principal cast members alive as Akira Kurosawa’s Ran did.

 
Performances from Sanada and Chiba are naturally good though Chiba’s presence in the saga is dialed down somewhat compared to their last two together.  Sanada’s youthful vigor and vengeful rage glimpsed in the Suzuki efforts carries over here and he doesn’t make one misstep.  The one who shoulders all of the film’s weight, let’s be honest, is Noriko Watanabe.  From taking on three roles to enduring some difficult responsibilities along the way such as portraying a gang rape in the film’s most notorious moment to maintaining a consistently integral presence onscreen that most certainly outshines Sonny Chiba despite that actor having higher billing, Noriko Watanabe doesn’t act in this film so much as she takes an angry violent bull by the horns and triumphantly survives the encounter.  Most viewers will probably be put off by this bit (I was too) but kudos to Watanabe for not backing down from it.  Mikio Narita and Akira Nakao both make terrific villains you love to hate for a variety of reasons but most of the main drama of the story is trained on Sanada and Watanabe, if you can keep up with which version of Watanabe’s character we’re watching.

 
Making its domestic Blu-ray disc debut in the United States for the first time via Toy Robot Video, the 1982
Kōsei Saitō directed Tokusatsu jidaigeki Ninja Wars comes housed with reversible sleeve art and a handful of special features including an audio commentary by Jonathan Clements, two video essays by Matt Alt and Daisuke Miyao on the film’s place in the Japanese ninja subgenre, theatrical trailers and a bonus complete VHS version of the film offered in standard definition.  Featuring a 1.85:1 widescreen transfer with uncompressed 2.0 sound, Ninja Wars won’t be for everyone but those who love their fantasy fiction to be darker and more realistic, particularly in a post-Game of Thrones landscape which seemed to revel in the controversial aspects.  Fans who have kept up on the Chiba/Sanada releases from Arrow Video and Toy Robot will naturally want to add this to their libraries while lovers of the effects-heavy supernatural period thriller will have a feast for the senses.  Not all will take to the film’s cocktail of imaginary and real-world brutality but not everything has to play nice or gentle either.  Another hit for Toy Robot!

--Andrew Kotwicki