War in the 80s: Part 2 - Vietnam

 

Images Courtesy of Orion Pictures


Another interesting component of American Cinema during the 80's was an obsession with the Vietnam War.   Perhaps partially inspired by fear of losing the Cold War, there were films that explored the lives of American soldiers as they travelled far from home to engage in a hopeless, violent conflict.   What is intriguing is that almost all of these films approached the dour material in different, yet similar manners.   What follows is an examination of three such films. 

                                              Platoon 

 


Oliver Stone's deeply personal opus, Platoon was a war film that was both acclaimed and polarizing.  Despite garnering many awards, many veterans took issue with the films' portrayal of substance abuse, minority soldiers, and violence towards noncombatants.  Despite this, Platoon went on to win Best Picture and Best Direction.  At its core, this is a morality play in which varying philosophies about the nature of war are at odds, made real in Tom Berenger and Willem Dafoe's legendary performances as two very different sides to the same coin.  The end result is a haunting sojourn into the soldier's plight during one of the bloodiest conflicts in American history. 

                                        Full Metal Jacket 

 

Images Courtesy of Warner Brothers

Stanley Kubricks's iconic return to the war genre was the last of his films released in his lifetime. Its two-act structure garnered almost universal praise for Act I, in which the characters go through boot camp prior to deploying to the Vietnam War.  R. Lee Ermey received high acclaim for his portrayal of the ruthless (and absolutely terrifying) Gunnery Sergeant Hartman. Vincent D'nofrio supported as the doomed Private Gomer Pyle.   The result is a fascinating deconstruction of toxic masculinity.  


The second act, which takes place in Vietnam, was less praised.  The storytelling seems disjointed, in which various stories and characters are essentially blended together, and the final product is a confusing message about war and humanity.   Regardless, the all-star cast and Kubrick's cold approach to the material manage to overcome imperfections to deliver something that is continually quoted almost 40 years later. 

 

                                           Hamburger Hill 

 

Images Courtesy of Paramount

Industry legend John Irvin's offering is without question one of the most brutal depictions of the Vietnam War.  A Sisyphus-esque portrayal of the failure of command, the story revolves around a group of soldiers that are attempting to take Hill 937.  What follows is a bloody, merciless exploration of not only the soldier's plight, but that of the officers, the middlemen caught between obeying orders and sending their men into certain death.  Featuring another outstanding ensemble, including an unforgettable turn by Courtney Vance, Hamburger Hill is easily the most action packed of these three films and while it did not receive the acclaim of its brethren, the most powerful aspect of this is its scope.  It stays focused on a single group of soldiers who are performing a single task.  While the commonplace existential elements are present at the edges, it almost refuses to do anything other than repeatedly remind its viewers that war is indeed Hell.  

 

--Kyle Jonathan